John Churcher
British Psychoanalytical Society
“Plus ça change, plus c'est la même chose”Kauffman follows von Foerster in regarding stability of perceived objects as reproduced through repeated perceptual acts. Stability of the visual world, maintained through repeated eye-movements and body-movements, nicely illustrates this. Von Foerster’s seminal 1976 paper begins from Piaget’s cyclical ‘equilibration’: the progressive coordination of actions and observations, including by reciprocal assimilation of sensorimotor schemes in a spatially embodied observer. Could an object be thus constructed
de novo in Euclidean 4-space by a virtually embodied being?
Spencer Brown’s “draw a distinction” results in an object being distinguished from everything else, which may then constitute a perceptual background. For example, a subset of random visual elements moving together form a distinct object (Gestalt ‘Law of Common Fate’). Stopping, they remerge into the background: the distinction dissolves.
Bleger describes the constant setting/frame ('encuadre') in psychoanalysis as the background of a Gestalt, and as a ‘non-process’. Earliest human infancy is characterised by undifferentiation and symbiosis with a primitive nucleus which survives in adults as the psychotic part of the personality (Bion). Repeatedly deposited in the setting, this iteratively reproduces a world phantasised as unchanging: an eigenform that only exists unconsciously and sooner or later gets broken.
Some common themes will be explored.
B.A. in Philosophy & Psychology, Oxford (1968-71); graduate research at Edinburgh, Oxford, & Warwick (1971-79); Lecturer in Psychology, Manchester (1979-2003); trained at Institute of Psychoanalysis, London (1989-97); private psychoanalytic practice, Manchester (until 2013).More info: pep-web.org